Confessional Imagination: An Interview with Rachel Mennies
“I think my poems are all Jewish because they’re all curious, and they’re all petitioning, in one way or another.”
Confessional Imagination: An Interview with Rachel Mennies Read More »
“I think my poems are all Jewish because they’re all curious, and they’re all petitioning, in one way or another.”
Confessional Imagination: An Interview with Rachel Mennies Read More »
So why, today, is autofiction making such a comeback? What does it do, or appear to do, that other forms do not? My guess is that, given how in our ethos, in the age of social media, privacy is passé and the personal is public, many readers want from their authors what they want from their friends on Facebook: personal transparency.
More Life: On Contemporary Autofiction and the Scourge of “Relatability” Read More »
That was what they were looking for, at least in part, when they’d booked the honeymoon for Nova Scotia: the happiness of the catch. So far, they hadn’t found it. Instead, they were trying to find their satisfaction in unexpected places: blackberries on the brambles, eagles perched on branches, moles on the run.
“Six-X,” by Elizabeth Gaffney Read More »
“Families of victims are allowed to grieve openly and freely if they choose, because their loved one was exactly that: an innocent victim. Families of shooters don’t have the choice to grieve openly, because they not only must carry the burden of grief, but also blame.”
The Space Between: An Interview with Kali VanBaale Read More »
I wonder, now, of all the stories she might have told had I worked harder to defy her, to learn her native language. I wonder how much more I have lost of my mother because I could not truly speak to her.
The Word for Water Read More »
The women are calling out the men
& rightly so. I’m over here trying not to make noise.
I’m poor, the only sins I can afford
Are handmade. Mostly I watch TV. There, it’s sex
& death—dawn to dusk. It’s 3D desire in Dolby Atmos.
“Shush,” by Jeffrey Skinner Read More »
Our Summer 2018 issue is here! Featuring essays by Sarah Appleton Pine, Karen Benning, Jennifer De Leon, Matt Jones, Gretchen Knapp, and Angela Morales.
Fiction by Lindsey Drager, Elizabeth Gaffney, Anthony Inverso, and Perry Janes.
Poetry by Jasmine V. Bailey, Kai Carlson-Wee, Flower Conroy, Angie Estes, Torrin A. Greathouse, Judy Halebsky, Peter Krumbach, Michael McKee-Green, Jenna Le, Julian Randall, Jeffrey Skinner, Soren Stockman, and Zhang Zao (translated by Gavin Gao).
MQR 57:3 | Summer 2018 Read More »
Meet the poets, essayists, fiction writers, and translators of MQR 57:3.
Meet Our Contributors, MQR 57:3 Read More »
“The woman in the picture is not just different from what I remember of her, or want to remember: she is a ghost, like the ghosts I would see on strips of negatives as a girl. In daylight I would hold them up to my eye, trying to guess who they were, and when I grew bored of this, I would fashion these haunted ribbons into bracelets round my wrist.”
“How to Find Your Mother In Her Portrait,” by Iman Mersal Read More »
“I think part of maturing as an artist is figuring out that the things that may have felt like a lack or an inadequacy can be strengths if you just double or triple down on them. Go all the way into the peculiarity and particularity of one’s own thinking.”
A Forensic Scientist of Myself and Everything Else: An Interview with Lauren Levin Read More »