On “Outside Is the Ocean”: An Interview with Matthew Lansburgh
“Writing is, in many ways, an act of faith. You have to believe in yourself. You have to work towards a goal that may, at first, seem inaccessible and far-fetched.”
“Writing is, in many ways, an act of faith. You have to believe in yourself. You have to work towards a goal that may, at first, seem inaccessible and far-fetched.”
“Music, the visual arts, and, predominantly, the writing of books have all been enduring interests, and the arrangement of these essays — long, brief, long, brief, long — is meant to mirror those concerns.”
“Jealousy requires an act of looking, and my characters spend a lot of time looking at what others have—or anyway, what they think others have—and sometimes making not-so-great decisions based on that misguided idea.”
“I suppose I realized I was working toward a book when I asked myself, How close can you get to an extinct bird? And then, I set out to try. My journey of combing through museums and specimen drawers was what ultimately spurred the longer narrative. Once I held an extinct bird skin in my hands, I knew I had to start sounding some alarms about our own environmental crises.”
If one doesn’t like an article enough to finish it, fine, but why not move on?
Excerpts and curios from around the web:
King Lear on the mean streets of Twitter, a case for simulated reality run by our far-off future ancestors, and some revelations on the burial sites of Cervantes and Aristotle. Plus: Rebecca Schiff on the political inconsistencies between an author and her characters: “If you’re tapping into something emotional—even if you’re really left-wing, like I am—you might wind up finding a conservative streak in you. And, as a fiction writer, if I feel like if that’s an important part of the character, I need to let that out, even if it’s not what I ‘officially’ believe.”
Excerpts and curios from around the web:
The enduring art of literary hate mail, Shakespeare as a springboard for spanking, some thoughts on why giving up writing might not be wrong, and Lydia Davis on why we should read translated works. Plus: Vinson Cunningham on what qualities make an essay uniquely American: “As much as one might wish to lay claim to the sensibility of, say, Montaigne—the ruminative philosopher’s ideal, the notion of the essay as neutral attempt—most of us Americans are Emersons: artful sermonizers, pathological point-makers, turntablists spinning the hits with future mischief in mind.”
Excerpts and curios from around the web:
Walt Whitman’s guide to health and better living, the grudge narratives of LIGO scientists, and Lord Byron’s apocalyptic poetry. Plus: Hulu adapts The Handmaid’s Tale for the small screen, and Catherine Nichols explores the character adaptability that makes a novel addictive: “The adaptation technique isn’t just an efficient way of telegraphing psychological depth; it hits the reader like rock n’ roll.”
Excerpts and curios from around the web:
The literature of mechanical life, debunking “the ladder of nature,” the legacy of the Baroness Elsa von Freytag-Loringhoven, and more. Plus: A look at Klaus Theweleit’s Male Fantasies in relation to the current election cycle: “Trump may look like a rancid creampuff in a Brioni suit, but his crass language serves the function of a ripped physique in a ripped T-shirt, projecting a Stanley Kowalskian virility.”
Excerpts and curios from around the web:
Mary Kelly on the diapers that made her an icon, one man’s journey to recover the records of his youth, Judith Beheading Holofernes … again, and a reissue of a Marianne Moore classic. Plus: Details on Lincoln in the Bardo, a forthcoming novel from George Saunders.