I believe that we are all born artists. I know that you are a better artist when you are a scientist and that you are a better scientist when you are an artist. You can combine imagination with information.
We are all Born Artists: An Interview with Dr. Sara Ana Adlerstein Gonzalez Read More »
One of the things art and humanities do at a big university is to make us all alertly observant. Art does have the power to make us newly aware of things that we thought we already knew.
Beyond the Simple: An Interview with Dr. Susan Scotti Parrish Read More »
“…I am also a little tired of offering reassurance. Because I don’t want to reassure people so that they go home feeling vaguely optimistic. What I want is for more people to recognize the urgency of the present moment and become involved in climate activism in their local communities.”
Advocating Now: An Interview with Elizabeth Rush Read More »
The bottom line is that this is a threat to democracy. It is a threat to the values of equality and diversity that many of us believe in strongly.
Understanding contemporary white nationalism: Proud Boys and the White Ethnostate Read More »
I think our only recourse it to acknowledge that everyone’s grief is their own, immeasurable.
A Python Swallowing an Antelope: An Interview with Gail Griffin on Grief and Writing Read More »
Poems contain information, but they’re not about information. A poem is not about an event; it is an event.
A Creature of the Senses: An Interview with Ilya Kaminsky Read More »
I want to give readers room to be imaginative within the space of my stories. We’re cocreating a story together as writer and reader.
The Past is a Living Thing: An Interview with Rion Amilcar Scott Read More »
No matter the genre, we have become known for curating boundary-pushing writers and for our fiercely punk DIY aesthetic.
Too Loud to Ignore: An Interview with Two Dollar Radio Read More »
America is the angel that the book is trying to wrestle with, and so, it’s constantly needing to reinvoke and readdress America.
The Illusion of Prominence: An Interview with Shane McCrae Read More »
Fish are an important symbol in Libyan folk art and can be found as carpets and textile decoration throughout the Arab world. They are a symbol of renewal and a sign of abundant livelihood and fertility, and a good omen for the bearer. The red eye in the fish is a talisman to protect from envy and evil.
Embrace the Sky: An Interview with Libyan Painter Abdelgader Bader Read More »
