Ears on the Floor: Poetry of Witness in a Post-Truth Era

A few years ago, a woman in Spain attempted to restore a nineteenth-century church fresco, but in doing so ruined it completely. The result is less Savior than surreal simian, the delicate portrait painted over with a crude, monstrous “face.” Since the election it has been hard to shake the feeling that reality has been made worse, unrecognizable, in precisely this way.

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On “Burn Lyrics”: An Interview with Benjamin Landry

“I’m not sure that Burn Lyrics is, strictly speaking, ‘in conversation with’ either Carson or Sappho. The model I have in mind is more like concomitant dimensions. I hope that a reader might experience a frisson of recognition, an emotional yet perhaps unplaceable feeling, when those dimensions overlap or communicate with one another.”

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