Issues

surface photo of a blurred greenish lake and green vegetation

To Czesław Miłosz

Song Lin’s poem, translated by Dong Li, “To Czesław Miłosz,” appears in Michigan Quarterly Review’s Fall 2019 issue. in the years after you left the world remains the same only planet earth becomes elusive tribulation like retribution falls on the dining table  from the sky, the earth and the sea as I reread your poems, […]

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“The Bride”

Mauro Covacich’s short story, translated by Marino D’Orazio, “The Bride,” appears in Michigan Quarterly Review’s Fall 2019 issue. He motioned for her to climb up and she jumped in. What luck finding someone willing to stop in this weather; usually they spot you at the last minute and keep going. They’re afraid to put on

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Georgi Markov Head Shot

On Patriotism

neighborhood, our village, our town, our state, our history, our beaches, our apples, our army… are mightier, prettier, tastier, richer, more meaningful, more special, more courageous than those of the rest of the world.

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China Mieville head shot

A Giddy Lurch into Chaos: China Mieville on Brexit, Writing Books as Video Games, and Lachrymose Europhilia

At the time of the discussion, the tenor of the mainstream pro-Remain discourse – with honourable and important exceptions, most of which were and are clear-sightedly and with a heavy heart more anti-anti-Remain than pro–was to my mind at a particularly politically and tactically dunderheaded pitch, and this is reflected in my remarks. I stand by this critique.

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little red riding hood by Joanna Consejo

Meet Our Contributors

SELMA ASOTIĆ is a bilingual poet from Sarajevo. Her poems have appeared or are forthcoming in EuropeNow, The Well Review, and Tinderbox Poetry Journal. She is the co-founder and co-editor of BONA, a Sarajevo-based magazine for feminist theory and art. She is currently pursuing an MFA degree at Boston University. Mostly, she would prefer not

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europe map photograph, zoomed in

Quo Vadis Europa?

 Benjamin Paloff guest edited MQR’s Fall 2019 Europe Issue, and introduces the issue with the following essay. I spent Election Night 2016 in a tense information blackout high above the Atlantic. My wife, Megan, was seated next to me, and my colleague Ewa, with whom Megan had translated a 1920s novel with an unrelentingly dim

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