Issues

Meet Our Contributors: Issue 60:3 Summer 2021

FARAH ALI is from Pakistan. Her work has been anthologized in the 2020 Pushcart Prize as well as received special mention in the 2018 Pushcart anthol- ogy. Her stories have appeared in Shenandoah, The Arkansas International, The Southern Review, Kenyon Review online, Copper Nickel, Ecotone, Colorado Review, and elsewhere. Her debut collection of short stories, […]

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MQR Issue 60:3, Summer 2021

Announcing the release of MQR 60:3, Our Summer Fiction Issue Cover art by Eduardo Paolozzi, courtesy of UMMA and Diane Kirkpatrick Table of Contents Forward Polly Rosenwaike: Closer Fiction Farah Ali: Beautiful Felipe Bomeny: Tubarão Dounia Choukri: Black Bread Ye Chun: Anchor Baby Susan Muaddi Darraj: Behind You is the Sea Ru Freeman: Retaining Walls

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Empty Dark Road with MQR60 Logo

My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)

Hit play below to hear Johnna St Cyr read her poem “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)”  and scroll down for the full text. “My Windshield Saga (Version 8 Because Every Time I Write A Draft the Damage is Worse Than the Estimate)” is featured

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Stock Image of Roads and Buildings for "Celebrating Writers in Our Community" in Blue

Aesthetic enthusiasm: An Interview with Dunya Mikhail

When a poem is sent to the world, like a letter inside that bottle in the sea, a community of readers associates it with some meaning, familiar or unfamiliar, and they add their own layers of meanings to it, and that's what makes it alive. The poem offers space, and readers immigrate to it. In poetry, I am the native citizen who welcomes others, the way I was welcomed by others who came before me.

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