Essay

Worshippers

“Worshippers,” by Caitlin Kindervatter-Clark, appears in the Winter 2019 Issue of MQR. After half a lifetime of unsuccessfully trying to control my drinking, I decided to surrender the whole endeavor and quit. In the wake of this decision, my ego underwent a partial collapse. Drinking had been a major part of how I defined myself; it […]

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Breathe

“Breathe,” by Ash Whitman, appears in the Winter 2019 Issue of MQR. When I think about who I am in my light brown skin, I always come back to Olvera Street. Olvera Street, wedged between Union Station and the Santa Ana Freeway, stuck in time but still fluttering with people shopping and vibrant pinks, greens, and

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Tiny Water Glasses

Clamping my hand over my left boob, which was leaking a slow and deliberate drip-drip-drip into my nursing bra and then into my marled gray t-shirt, and then onto my hand, I galloped up the basement stairs, taking two steps at a time, my body needing to feel my baby’s body. My first baby. I

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“We Will Return After These Messages,” by J.D. Ho

I think of my grandmother whenever I delight over rotting corpses and the life cycle of maggots, when I research methods of picking locks, escaping from car trunks, or working myself loose when I am tied to a chair and someone is trying to pull my teeth out with pliers. I think of her when I see unmarked vans with suspicious drivers. I think of her in dark alleys, or when I read news stories of cat murders.

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lilia carrillo water color abstract

“Querida Angelita,” by Angela Morales

When they finally arrived in San Ysidro, California, she climbed out of the coyote’s trunk, where she was reborn, right there in the corner of a McDonald’s parking lot, parallel to the gargantuan 405 freeway, which looked that night like the tentacles of an electric octopus—bursts of white headlights and red taillights, swirling and whizzing by, right across the chain-link fence.

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painting of a woman titled moise kisling, the beautiful brazilian

“How to Find Your Mother In Her Portrait,” by Iman Mersal

“The woman in the picture is not just different from what I remember of her, or want to remember: she is a ghost, like the ghosts I would see on strips of negatives as a girl. In daylight I would hold them up to my eye, trying to guess who they were, and when I grew bored of this, I would fashion these haunted ribbons into bracelets round my wrist.”

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