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  • MQR Issue 60:3, Summer 2021
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Moon phases against black background

The Moon Landing & Its Aftermath

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In Rilke’s great poem, “Statue of an Archaic Apollo,” the poet articulates the moral statement which the wonderfully wrought torso proclaims: “You must change your life.” Is this the message of the modern Apollo? And if so, how is it we must change?

The Moon Landing & Its Aftermath Read More »

three images of Emma Livry Dancing in a full skirt

Composition of a Fall

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All of them appeared to be composed of sharp angles between muscle and bone, stretched taught and teasing the notion that a body can rip—that theirs hadn’t yet.

Composition of a Fall Read More »

Cover of "The Vital System" and CM Burroughs, in a red shirt, leaning on a stool

Meat to Reckon With: A Conversation with CM Burroughs

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If you write urgently, honestly, I think that it can be easier to be surprised by your own thoughts, your own verse. And that surprise happens many times.

Meat to Reckon With: A Conversation with CM Burroughs Read More »

a small, blooming plant aside a plant with no leaves against a white lined background

The Limits of Contradiction

Asia Siev

Seventy years after the fall of Nazi Germany, it is startling to witness a resurgence of the fear of an enemy within. Europe’s future hinges on how this issue is resolved.

The Limits of Contradiction Read More »

Ocean from shore under dark sky

Farewell to Douala

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Sex. Brutality. Animal faces. Wrathful oceans. Rickety boats. Stupid men who robbed my human rights. Insecure love affairs. Floating corpses’ love affairs. Am I also a floating corpse? What else?

Farewell to Douala Read More »

Collage of two images: an author photo of a man in a grey suite from the shoulders up and a cover image from "Bells for America" which is a Carillon against a black background

A Story of Dissonance: An Interview with Diederik Oostdijk

Cameron Finch

The Netherlands Carillon can only be understood against a background of two nations trying to reinvent themselves during the Cold War.

A Story of Dissonance: An Interview with Diederik Oostdijk Read More »

Three Bell phone booths against a concrete wall

The Motor Cart

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When he got to her she was sitting in the cart with her back to him, holding a quarter between her fingertips and looking at the people on the sidewalk coming toward her.

The Motor Cart Read More »

The Palace of the Republic in Berlin

“Palast der Republik”

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Three days ago, as I was driving past the palace, I could already see right through it.

“Palast der Republik” Read More »

Sign reading "you are leaving the American sector" stands outside of Checkpoint Charlie, with abandoned industrial buildings in the background.

Looking for Germany

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Before long, I found myself thinking and dreaming in German, and I wondered what Dad would have thought of that.

Looking for Germany Read More »

Three copies of Harriet Levin's My Oceanography side by side.

Ekphrasis Hybrid: A Review of Harriet Levin’s “My Oceanography”

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Artists can be canaries flying down into mines or diving underwater.

Ekphrasis Hybrid: A Review of Harriet Levin’s “My Oceanography” Read More »

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Michigan Quarterly Review, founded in 1962, is the University of Michigan’s flagship literary journal, publishing each season a collection of essays, interviews, memoirs, fiction, poetry, and book reviews.

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