wood duck chick

As Brave as Ducklings

by Greg Schutz

“What if, looking at those ducklings, we saw not some reflection of human bravery, some mental state for which we already have the words, here and now, in our gas-guzzling postindustrial lives? What if, instead, we recognized the ducklings’ abandon, as Wendell Berry calls it—the wordless, mindless, absolute passion with which the need to leave the nest has been not merely accepted, but embraced?”

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A Device for Binding the Intellect

by Greg Schutz

The 2012 education platform released by the Republican Party of Texas last summer contains more than just a troubling attack on critical thinking skills in the classroom. Considered in a broad historical context, the GOP’s platform lays bare fundamental inconsistencies in the conservative thought that birthed it. The product of a grossly divided intellectual legacy, it represents an extraordinary cheapening of our American heritage.

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Against Writing Every Day

by Claire Skinner

Like most creative writers (especially us wayward poets), I don’t relish being told what to do. Perhaps this is why I bristle when I hear the dictum write every day. To me, writing every day doesn’t sound appetizing: it sounds like a dry piece of rye toast with no butter. It sounds Machiavellian. It sounds like a chore, replete with brooms and mops and green jars of Comet. As it is, my To Do List is already chock-full of this and that and a little more of this.

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Urban Poetics: A Call from (and to) the Wild

by Virginia Konchan

“Urban poetics” takes place at the ripped seam of these intersecting discourses of inside/outside, self/other, “objective”/”subjective” realities, which adhere on the level of individual cognition, spatial orientation, sensation, and judgment, and therefore can’t be codified or defined. It can, however, be reintroduced into poetic discourse, as a bridge to begin the work of looking “outward,” in terms of praxis or politics, rather than just “inward,” in terms of theory and aesthetics, again.

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A Dozen Books for the Summer (Make that Fall) Months

by Gina Balibrera

“In the sweep of its two wings, the huge mass of the castle mingled with the crests of the supporting rock; it lost itself, farther down, in the rugged surface of a cliff which dominated a broad stretch of ruins like the path of an avalanche; houses and terraces, here, could be seen clinging to the side of a hill whose base was already bathed in shadow. The whole pile of giant stones seemed unbelievable, looming in the sunset light against the horizon blocked by the clear blue lines of the Lubéron. This was Oppède.”

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